Alonso Sánchez Coello (1532–1588) Infanta Isabella Clara Eugenia at age 13 (1579, Museo del Prado) |
It is so exciting to discover something medieval in a modern dress! Or a tricky facet dating back to the time of French Revolution... It can be easy with the garments which are very similar to their historic prototypes, such as Roman sandals, tunics, Greek style dresses etc. I tried to find just a few hints which show that modern designers take their inspiration in the past. This is much more interesting to research!
Zac Posen 2014 Pre-Fall |
I love this dress! It has extremely exciting pattern - with lots of convex lines to suit the model. Designer achieved accurate fitting due to precise drawing, not because of elastic fibres. Main thing that these two dresses have in common - they suit the ideal figure of their time. In Holland of the 16th century opulent clothes fitted the girdle on the torso with flattened bust and belly and bell-shaped skirt, which was considered to be the perfect feminine figure.
Nowadays the ideal of beauty is different. It is just a body, loved as it is, free both from corsetry and from stereotypes... Both dresses are made with a perfect pattern to suit the ideal silhouette in official cases - office or royal palace. A cape inserted in Zac Posen's dress reminds us about European fashion of the late 16th century, as well as accentuated shoulders and tight sleeve.
Nowadays the ideal of beauty is different. It is just a body, loved as it is, free both from corsetry and from stereotypes... Both dresses are made with a perfect pattern to suit the ideal silhouette in official cases - office or royal palace. A cape inserted in Zac Posen's dress reminds us about European fashion of the late 16th century, as well as accentuated shoulders and tight sleeve.
Leonardo da Vinci (attributed)
La belle ferronnière 1497 The Louvre
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Andrew Gn Autumn 2012 |
Though modern dress is quite different, it produces strong impression of Renaissance fashion.
Historic and modern at the same time: this is my dress for historic dance classes and theme parties. It has separated sleeves fixed with lacing and it is fitted with lacing on the sides. I made it as 'average Southern-European Renaissance', not attributed to any particular place. Not too luxurious and very practical for open-air events. It is decorated with light-blue embroidery on the sleeves and neckline. There is a white shirt underneath, with embroidery also, but on the picture it can hardly be seen.
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